A singer from Columbus, Ohio, leads the class in the famous old hymn "Ortonville" (page 68b). The bass section and a little of the alto section are visible in the background. The waving hands at the left are those of front-row tenor singers.
A singer from Glen Ridge, NJ, leads the class in the late 18th-century fuging tune "Edom" (page 200). The alto section is visible in the background, while two front-row treble singers are visible on the right foreground.
A singer from Philadelphia leads the class in the Southern folk hymn "Ninety-Thrd Psalm" (page 31t).
A singer who grew up singing Sacred Harp in northern Alabama leads the class in one of her favorite Southern 19th-century fuging tunes, "Alabama" (page 196).
A singer from Providence, RI, "brings in" the tenor section in Billings' "Easter Anthem" (page 236).
A singer from Watertown, MA, leads the class in the rousing Billings fuging tune "Bear Creek" (page 269).
A singer from Watertown, MA, leads the class in the 19th-century fuging tune "Cheves" (page 432).
A singer from Pleasantville, NY, leads the class in the 20th-century fuging tune "Peace and Joy" (page 532).
A singer from North Reading, MA, leads the class in the 20th-century fuging tune "Homeward Bound" (page 373).