Berman’s Alley Savvy
The Hill, March 8, 2006

Who but a wild-eyed, wilder-haired artist like Mike Berman would found a Hill real-estate empire by buying 28 garages? Definitely off the beaten track, Berman’s mind is humming with ideas. Like founding a Hill art colony on a secret, unused alley space between 14th and 15th streets S.E. Like opening up the Hill’s alleys and...

Art on Capitol Hill
Hill Rag, February 2003

If you have strolled through the throngs of people and specialty vendors along the promenade of the Eastern Market on a weekend within the past eights years, you have seen the art of Michael Berman. It is a dance of color that leaps out at your imagination. In the midst of the dance is a dream-like image of the market itself, looking quite...

'Shuttle Diplomacy' Yields Green Light for F St. Project
Washington Business Journal , July 20 – 26, 2001

A mediator has forged an agreement that will free The John Akridge Cos. to proceed with a major office complex in the 900 block of F Street NW, where historic preservationists have fought a two-year battle to block demolition of most of the block's older buildings. It took 11 months of "shuttle diplomacy" by Lee Quill, an architect...

Downtown Hotels, Offices, Arena Squeeze Out Artists With High Rents
Washington Times, September 25, 2000

The Downtown Arts District in Washington has offices, hotels and a sports arena, but few artists.It hasn't always been this way. For years, cheap studio rent and proximity to the downtown galleries and theaters brought painters, photographers and sculptors to the city's designated arts district, roughly defined as a 10-block swath...

Last Showing
Common Denominator, May 22, 2000

Fight goes on, but F Street artists prepare to lose downtown studios to wrecking ball. The current show at the 505 Gallery just south of MCI Center on Seventh Street NW is an eclectic grouping of paintings, photographs and sculpture. And the show's opening reception May 18 drew an equally eclectic crowd of community activists, art lovers and historic preservationists...

For D.C. Artists, A Dark Period
Washington Post, May 18, 2000

Michael Berman's light-drenched studio used to be filled with his fiery abstract images, but now the walls also display much different work: old buildings, rendered in haunting colors and lines that seem to communicate ache and doom. This is what comes of working within century-old walls slated to be demolished...